SING for the Rite of Election at Saint Cecilia Cathedral
with Archbishop George Lucas
and hundreds of people who will become Catholic at Easter
Sunday, March 5
10:30 am Departure from Saint Mary’s Church parking lot
6 pm Return to Norfolk
Cost: $15 for chartered bus (bring your own sack lunch)
Children must turn in this parent permission form:
In an attempt to end pre-Lent with a BANG, here is a fun song for the 8th Sunday of Ordinary Time, February 26th. We will Bury the Alleluia on this Sunday, as we don’t say Alleluia during Lent. Ash Wednesday is on March 1st.
JOIN US as we sing as many HALLELUJAHS as we can before Lent!
One of the most exciting opportunities arising from the publication of the Third Edition of the Roman Missal is that of developing a new repertoire of Mass settings.
We have learned the following thus far:
Heritage Mass by Owen Alstott
Mass in Honor of Saint Cecilia by David Hurd
Mass of a Joyful Heart by Steve Angrisano
Community Mass by Richard Proulx
Missa pro editione Tertia by Christopher Mueller
Roman Missal Mass
Jubilate Deo Mass
Mass of Communion by Matt Maher
German Mass by Franz Schubert (Richard Proulx)
Missa Simplex by Michael O’Connor and Richard Proulx
Mass of Saint Ann by Ed Bolduc
The Psallite Mass: At the Table of the Lord
by The Collegeville Composers Group
This Lent, we are going to sing Mass of the Angels by Richard J. Clark.
I like this setting because it sounds overwhelmingly Catholic. Drawing from the original Latin Mass “Missa de Angelis,” this English setting contains lush harmonies for the choir, and a melody that sings itself, it is so easy. To this day, “Missa de Angelis” remains the most well known Mass setting worldwide. Many of the papal liturgies in Rome and elsewhere utilize parts of the “Missa de Angelis.” It is a setting that transcends cuture and time, allowing all Catholics to sing their faith as one. I pray that “Mass of the Angels” will plant a seed in our parish youth that flowers into a deep love of their Catholic faith, and of the beauty that God lavishes upon us.
youtube video Kyrie
youtube video Lenten Gospel Acclamation
youtube video Sanctus
youtube vide Agnus Dei
A artistic – Beauty is the first priority, Make Beautiful Music
G genuine – The music selections should be helpful to your unique congregation
A authentic – Be true to your Church history, reproduce the essential features of your denomination’s music, know your congregation’s listening history (what music do they know, what music styles are they familiar with)
P purposeful – Wed the Music to the Rite: timing, feeling/emotion, i.e. film scoring, cover ambient noise
E evangelizing – spread the Gospel through music
The above is my paraphrasing of a presentation given by Dr. Peter Latona in Omaha in January, 2017. He used the AGAPE acrostic as a way to illustrate the main considerations for developing a music ministry for worship.
In addition, Dr. Latona provided instruction on how to develop improvisation skills. Improvisation plays a large role in what I do at Mass, so I especially enjoyed the techniques that he proposed.
- base improvs on repertoire styles – collect excerpts from myriad composers in a notebook (Dupre, Tournemire, Langlais, Copland, etc), and then choose a style to imitate – have an improv plan
- add harmonic color: add one accidental at a time in order
- Improvise on the music at Mass – motets, psalms
- Don’t overuse the Pedal or the Celeste – improvise without the pedal, vary what stops you use
This weekend, I am excited to attend an organ recital and workshops led by Peter Latona. Dr. Marie Rubis Bauer will be hosting his visit at Saint Cecilia Cathedral in Omaha.
Go to 7:37 and hear Dr. Latona direct the choir singing Mozart for the Funeral of US Supreme Court Justice Antonin Scalia at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C..
What a gift to the Catholic Church in the USA!